: Sample video added to Field Test Part II Conclusion posted! : Image Quality Comparison and Print Quality posted! : Field Test Part II: After sunset, the enthusiast compact head-to-head continues! : Field Test Part I: The contender for Sony's throne goes toe-to-toe in the real world! In fact, it puts the G7X right in between the entry-level RX100 and the subsequent RX100 II in terms of list pricing. That's a significantly lower pricetag than Sony's RX100 IV, and even a little less than the RX100 III. No electronic viewfinder Soft corners at wide-angle Flare issues and fringing shooting wide-open Weak performance when shooting raw files Tendency to underexpose in low light Limited battery life Price and availabilityĪvailable since October 2014 in the US market, the Canon PowerShot G7X is priced at around US$700. Very compact body fits in a pants pocket Zoom lens is both brighter and further-reaching than anything offered by its enthusiast compact rivals Selfie-friendly tilting LCD monitor Intuitive touch-screen interface Very good image quality for its class Wi-Fi connectivity gets photos on your phone Cons The Canon G7X takes on its rival's popular RX100-series cameras with much the same body and sensor sizes, and yet somehow Canon has managed to pack in not only more zoom reach, but also a brighter maximum aperture as well! But does the Canon G7X have what it takes to finally slay the RX100, or will it have an Achilles heel of its own? Find out now in our in-depth Canon G7X review! Pros June 10 -J the 20.2-megapixel Canon G7X, Sony finally has a fight on its hands in the enthusiast compact camera market. By rearranging layers, the attractive period costumes (Cathie Miglionico) are made highly versatile. A picnic played out upon the apron of the stage feels shared. A sound track of gossipy chatter introduces the mood at the beginning of the play, an “arugah” may have many meanings depending on length and volume. During a disagreement, or the telling of two different sides of a story, the actors are on opposite sides of the stage, each separately lighted. Lighting (Rusty Davenport), sound (Jared Reed) and staging are skillfully used, not only to delineate, but also to lend expression and depth. Any more on the stage with these two is unnecessary. Upon a sketch of a set (Zoran Kovcic), a cleverly designed bare bones roadster, Reed and Brock work well as mother and son. Much of the story has the feel of being confided to the audience, creating a bond that draws them in to listen to the life and times of these two depicted individuals. Brock Vickers portrays Edwin “Ned” Post brilliantly, his comedic timing in tune with the script, but he is also able, with ease, to draw aside the comic curtain to show a more serious side to his character.
A buoyant, energetic rendering of a woman who decides to repurpose herself in order to survive, and thrive, Reed’s ability to shift moods almost seamlessly, and to absorb and retain audience interest reveal themselves in a part that suits her talents well. Penelope Reed positively channels Emily Post.
During their trip, mother and son will cross bridges, explore towns, endure endless mud, sleep under the stars and rediscover tremendous love during their tumultuous tour together. Emily is recently divorced at this point in her life, not an ideal state for a woman in that era, and is on a bit of a rocky road in terms of her relationship with the driver, her son “Ned”.
She has packed her travel trunks and is on her way from New York City, ready to traverse 3,200 miles to San Francisco to write a travelog of the experience, and the Pan-American Exposition, for Collier’s Magazine, but possibly to leave behind another type of baggage. or “Ned” (Brock Vickers) in her roadster on the new Lincoln Highway.
In this refreshing tale of triumph and etiquette, we catch up with Emily in April 1915, as she is about to embark on a cross-country journey with her son, Edwin M. Reilly’s captivating new play, POST HASTE, based on Emily Post (Penelope Reed), matriarch of manners, premiered this weekend at Hedgerow Theatre. “The best ingredients for likeableness are a happy expression of countenance, an unaffected manner, and a sympathetic attitude.” ~ Emily Post, EtiquetteĪ sparkling performance, Frank E.
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